Bizarre, Creepy, Fascinating...

Shot in three Tokyo parks during the early seventies, The Park is a series of black and white photographs capturing couples meeting up for clandestine trysts and, more provocatively, the voyeurs who came out to watch them. First exhibited in 1979 at Komai Gallery in Tokyo, the uproar surrounding his methods caused these photographs to be hidden from the public for the next 28 years.

Mr. Yoshiyuki first stumbled upon this hidden world while photographing skyscrapers in front of Chuo Park in Shinjuku at night when he witnessed a couple having sex and quickly discovered an entire scene of young lovers—and their peepers. He soon returned with an inconspicuous 35mm camera, a filtered flash and infrared film, and began shooting these hetero- and homosexual couplings, along with their spectators lurking in the bushes.What is particularly striking about this series of photographs is not the graphic nature of the sexual acts portrayed, which are usually obscured by other figures or occur out of frame, but the densely packed tableaux of voyeurs who crowd in on the couples and sometimes attempt to join in.

via lenscratch

Double Take

Cool to behold, such a clever idea, and it makes you think. A combo that, to me, spells out really good art. Try to guess how Corinne Vionnet crafted these before you read the explanation below...

Following a simple search on the web, Corinne Vionnet looked at this collection of snapshots, almost identical images produced by these "we" anonymous and unidentified, making her choice on statistical major tourist places. By collecting, then bringing together the successive layers of around hundred "photo souvenirs", she brings forward the symbolic value or identity of a city or a country that these monuments have acquired with time, and underlying style of manipulation on the viewer. Why always take the same picture if not to interact with what already exists? The picture gives the proof of "I was there too, here, where everyone comes on a given day". To be true, the picture shall be perfectly similar to the one belonging to the collective memory.

via lenscratch

Oasis

Wow, these really took my breath away for a moment there. Either click on the photo or go to Lenscratch to see them larger and in all their glory. An unstaged juxtaposition is usually the most poignant.